A vocoder (speech synthesizer) is used at the end of РІР‚ВCanРІР‚в„ўt C MeРІР‚в„ў, which helps disguise the female vocal when she repeatedly chants РІР‚Сљyou canРІР‚в„ўt see meРІР‚Сњ (1264). Using old elements and combining them with the new helps to create new meanings in songs, as well as helps РІР‚ВdisguiseРІР‚в„ў the original rapper in the song. Sampling also tends to embody call-and-response, as pieces of work from previous artists are used and can be РІР‚ВrespondedРІР‚в„ў to in a new production (1262). Rap music uses sampling as a major element in its music and has helped define the rap aesthetic (1262). Sampling refers to РІР‚СљРІР‚В¦ the process of taking one sound recording and reusing it in anotherРІР‚Сњ (1262). It becomes extremely difficult to distinguish them from one another (1262).Р”Р„lso present in РІР‚ВCanРІР‚в„ўt C MeРІР‚в„ў is sampling. In РІР‚СљCanРІР‚в„ўt C MeРІР‚Сњ, 2Pac and Clinton rap different parts of the song, but in the end their voices meet and overlap.

Concealing identities is important when lyrics are controversial, which is conventional in rap music. Nielson says that this method РІР‚СљРІР‚В¦decentralizes the creative authority for a songРІР‚Сњ and therefore РІР‚СљРІР‚В¦works to conceal as much as to revealРІР‚Сњ (1262). This ties in with the theme of hiding from surveillance: rappers can say whatever they want, and the audience will struggle to identify them. With a variety of artists at work, it is difficult to trace exactly who said what. In РІР‚СљCanРІР‚в„ўt C MeРІР‚Сњ, there are a variety of performers who together produce a collective sound, including George Clinton, a female vocalist, and 2Pac himself (1262). This technique refers to a communal production of music: that is, a song which has been created with a high number of people (1262). Here is a link to the lyrics of РІР‚СљCanРІР‚в„ўt C MeРІР‚Сњ: Р”В¬all-and-response is a characteristic of Black music throughout the United States (1262). The misuse of spelling has been used to connect with rapРІР‚в„ўs niche audience РІР‚вЂњ individuals who understand this unique РІР‚ВlanguageРІР‚в„ў are able to continue to relate to and support rap music, and those who struggle to understand terms such as РІР‚СљbumpinРІР‚Сњ, РІР‚СљhoРІР‚в„ўsРІР‚Сњ, and РІР‚СљhomieРІР‚Сњ, cannot. As rap began to be embraced by a wider audience, it gained a larger presence in the music industry and hence, encouraged greater surveillance. Misspelling serves as a way to separate rap music from a mainstream audience as demonstrated by Nielson when he states: РІР‚Сљmeanings are not meant to be discernible to a mainstream audienceРІР‚Сњ (1261). The misspelling of lyrics is representative of African American phonological and syntactical speech (1261). The spelling in the lyrics of РІР‚ВCanРІР‚в„ўt C MeРІР‚в„ў are misspelled repeatedly, as evident in the title itself. and 50 Cent are just a few examples of rappers who have served time in prison, and then later made reference to the constant surveillance they experienced in jail (1268). Many Black rap artists have served time in jail and thus it becomes obvious as to why prison culture is characteristic of rap music (1268). Rap music, particularly gangsta rap tends to embody prison culture. It is worth noting that he begun working on this album while serving time in prison as a result all eyes were quite literally on him (1260). 2Pac suggests that he is hidden in this song, but the album as a whole is being watched by authorities. This song title directly contrasts the album title. The song РІР‚СљCanРІР‚в„ўt C MeРІР‚Сњ is part of 2PacРІР‚в„ўs (or TupacРІР‚в„ўs) album РІР‚СљAll Eyez on MeРІР‚Сњ (1260). These elements include the spelling of the lyrics, the use of call and response, sampling and multiple personae. The song РІР‚СљCanРІР‚в„ўt C MeРІР‚Сњ by 2Pac was analyzed by Nielson and several elements were presented in relation to the theme of surveillance. The concept of constantly being watched has heavily influenced the lyrics and themes presented in rap music, especially gangsta rap.

In the article РІР‚СљCanРІР‚в„ўt C MeРІР‚Сњ: Surveillance and Rap Music, Erik Nielson addresses the dominant theme of surveillance present in rap music: РІР‚СљNo genre thematizes surveillance more than rap music doesРІР‚Сњ (Nielson 1259). Rap music is a genre that has been under constant scrutiny since its birth.

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